Tuesday Poem: 102 Armagh St

a window open
curtain an upflung arm
in the morning
the sky's
wide blue eyes
watching

below
in the street
bricks kneel
among tiny lilies
a wrecking machine
crouches
nose upturned
waiting for biscuits.

I'm currently living on the fifth floor of an apartment on Armagh St, Christchurch CBD. From the balcony, one can look out towards the red zone and the rows of wobbly condemned buildings - 'death row'. I'm only here for 6 weeks working, but admit to being a bit of a woose about being on the fifth floor. In my first night here I was shaken awake by an aftershock, but have mellowed so much that three weeks on, I slept peacefully through two aftershocks while my husband was kept awake - or maybe that was just the busy on-call ensuring I passed out successfully at night...

Not surprisingly, it's odd walking around the CBD, staring at the fences everywhere (they migrate frequently along with the wrecking machines, like grazing beasts). The CBD is eerily quiet and almost devoid of people, except on sunny weekends when the local populace comes in with their dogs, strollers and bikes and strolls along the fenceline pointing out the new holes in the cityscape and catching up with the latest earthquake gossip. I've taken to walking different routes to and from work, noticing the changes each day and the small details - rosemary bushes left undisturbed at the periphery of a demolition site, a fur hat perched perkily on top of a letterbox beside a red stickered property, the way the houses crouch at odd angles, almost as if they were people surprised at a party. The few people I do meet smile at me. Are they locals pleased to see that someone is enjoying the city, or are they fellow long term visitors? There are so many new people in town at the moment. On the corner of the Botanic Gardens, the same man in cravat and tails plays "La Vie En Rose" for hours, day after day. It's like groundhog day with a slightly melancholy European air.

There are the stories too. Everyone has them - small anecdotes about what's happened, more poignant than the dramatic news clips and the footage recorded on yet more helicopter flights over the damaged city. I've been recording them in my head, intending to write them down. I feel they need to be remembered, kept before they too are demolished by the passage of time.

I'm delighted to be this week's Tuesday Poetry editor - head on over to the main page to see what I've chosen - three poems, one from each of the shortlisted books for the poetry section of the National Book Awards. Winner will be announced this coming Friday, also the day when the country will explode in a riotous celebration of poetry - hurray!!

Rethinking Creativity with Sir Paul Callaghan

(crossposted from The Big Idea)

Sir Paul is a physicist, teacher and communicator who has won many scientific accolades for his work in nano-technology and magnetic resonance. His experience and vision allow him to apply great depth of perception to his work in science and entrepreneurialism. He’s also the 2011 New Zealander of the Year, in part for his ability to bridge disciplines, and communicate how we need to work together to move this country forward.

Over the years, Sir Paul has written and broadcast widely, aiming to make science more accessible for all. He advocates the use of the arts to explain and explore science and find the human connection. To paraphrase, the arts helps to seek out that sense of wonder in science - to translate the ‘cold’ mathematical language of science (properties, dimensions) into something which speaks to people (emotions, colours, senses). He’s also spoken on how science is influenced by art and vice versa, observing that scientists ‘borrow’ the words used by the arts to connect with other parts of human creativity. (Unsurprisingly, many scientists – Sir Paul among them – are also artistic).

Sir Paul is also a firm believer in the future of New Zealand, although he says that significant changes need to be made in order to unleash our full potential. His recent address to StrategyNZ: Mapping our Future 2011 makes some very strong points.

His message is simple: NZ has limited natural resources, despite our blind belief in the ‘clean green 100% Pure’ image. We are behind in the world in terms of ‘smart’ industries, those which rely on good ideas cleverly executed rather than our traditional primary industries (farming, tourism) which are resource-heavy with a low relative return. He offers the staggering idea that 100 inspired entrepreneurs could double our present exports - around $4 billion of exports a year is currently earned by the high-tech and creative sector. And how would we do that? The answer is deceptively easy: grow our ‘smart’ industries.

read the rest here.

Tuesday Poem: 10 days, one night

I wrote this some time ago, overwhelmed by a theatre show I'd just watched. But with 10 days to go until the Lifewise Big Sleepout, where I'll be "sleeping rough" in the Auckland CBD, it seems amazingly to fit.

Homeless for a night

In 10 days, I'll be spending a night out in the open - in the middle of Auckland's CBD. The reason? It's all part of a fund (and issue) raising campaign, to sleep 'rough' for a night. I'll be sharing my patch - but hopefully not my piece of cardboard - with other "business and community" leaders - among them ex mayors, rugby players and banking (well they should come in handy!) staff. We've each pledged to raise $1000 or more to support Lifewise, which provides support services to the homeless.

In my work, I often deal with kids who have been affected in some way by poverty. It astounds me that people (especially politicians) don't realise, or pretend not to realise, that poverty is inherited in the same way that wealth is. In other words, if your parents can't pay for decent shelter, or feed you enough, or keep you warm - then it's pretty obvious that your health is going to be affected, along with your sense of self, your ability to attend education and to learn, and your resilience. There's many other things besides, but it all pretty much comes down to poverty being a root cause, with symptoms like drug abuse, poor mental health, and social dysfunction feeding into a vicious positive feedback cycle. And all too often it's something perpetuated through generations. This is when sticking a drip in a kid who's got pneumonia from living in a drafty garage starts to feel quite a bit like waiting at the bottom of a cliff with an ambulance.

But anyway, enough of me ranting tonight... if you want to help, either donate directly to Lifewise or (please!) sponsor me here.

Do writers need social media? Part 2

(crossposted from The Big Idea)
In my previous blog post, I discussed how blogs, Facebook and Twitter (ie social media) can be used by a writer to hook a readership and publisher. But are they worth the time away from ‘real writing’? In this blog, I explore how social media could enhance the writing itself.

As Musk and others say, exploring inner worlds in order to share them is what writers do anyway. I’m sure I’m not alone in experiencing that sense of vague fear and dread before starting a new scene or chapter. The fear might be linked to the worry that this time, we might not be clear enough thinkers or complex enough psychologically to pull it off this time, and then our lack of depth would be exposed. So writing is also a quest to become a better, wiser person, a person with something to say (you see how cleverly I’m circling here?)

If this quest for self-betterment is what you would do anyway, then the only question remaining is whether you would feel comfortable sharing it. For some the answer is no – it would endanger their inner world and disturb their writing process. That’s OK. Having a blog doesn’t mean you have to bare all – you can choose to bare only some (although sincerity and truth are important, and readers make smart lovers.) For others though, discussion and dissection of issues are exactly what they crave, the thing that feeds their writing and fires off further ideas. They actively seek to connect, to graze ideas, to converse, to follow links until they hit one which might be the key to understanding their character or anchor a plot point. Reading, watching and linking to good writers, readers and thinkers is not a side activity – it is part of the process of writing.

read more here

Tuesday Poem: Appetite: or, an Allegorical journey

o come to where the Fat Dog wags
its nimble backside, where you’ll be glad
you rolled your rotund form on
in through the door, the
rolling slippy slidy wooden floors
where waitstaff glide
waists pinched and arms long
with heavy jowled food, warm lumpy cups
of coffee, plates indigestive
with chocolate cake.

Come to where the cream is piled high as an iceberg,
swerve to avoid creaking chairs
as schoolgirls sail upon
their swooning love affairs.
For your own chair sits
beside the potbellied stove
which has swallowed a fire
much too big for it. Stay, guest;
but not too long – for they say
we make our own nests; and then we must lie in them.

Slipping sliding, the hippy trippy
waitress slides along olive oiled
avenues towards you. You consume her
as you have already consumed the grape painted walls,
the twisted chandeliers, the candles, the poetry painted above the toilet. You consume
her, whole, in her tight black T-shirt with the Fat Dog wagging its brisk tail until the
end. You lick the fat globs of cream off his backside and belch wholeheartedly, for
your heart is not yet in its last convulsions. You drip silver drooled coins through
the hands of the man at the coffee machine and then you jangle merrily on your way
through the door.

The Fat Dog Cafe is probably one of the best cafes in the country and my favourite place to eat in Rotorua. In my first year as a doctor, I worked at Rotorua Hospital - one of the defining periods of my life and a year when I really grew up. With my flatmates, we were "regulars" at the Fat Dog - going there once a week, as a treat or when we couldn't be bothered cooking and just wanted to lounge around in front of the fire and eat chunky lasagne and garden-crisp salad with gobs of mayonnaise....

talkwrite blog: Do writers need social media? Part 1

(crossposted from The Big Idea)

This weekend, as a way of procrastinating about getting in the right frame of mind for writing, I’ve spent hours reading Justine Musk’s fabulous blog, Tribal Writer. Justine is a YA and fantasy writer, a mum of twins and triplets. (She’s also the ex-wife of billionaire entrepreneur and founder of Paypal, Elon Musk, whose high-profile divorce has had journalists and lawyers slavering for the last few years.*)

The quality and frequency of her blog posts has me wondering how she ever finds time for writing, unless she gets another talented writer to pretend to be her. (I know, I’m supposed to be writing right now, and what am I doing...?) Basically, Justine practices what she preaches: the engagement of a writer with their community of other writers and thinkers, and with their ‘audience’, two groups which should necessarily intersect. She does this through several blogs in which she collects her own and others' thoughts about the business of writing, which necessarily contains a large amount of candid self-reflection. She says that the tools of social media are just as important tools for the writer as paper and pen.

This fits with what I heard at the publisher’s event at the recent Auckland Readers and Writers Festival, in which an international panel agreed that in the current environment, publishers are looking for a writer who is not only ‘marketable’, but also comes with the social savvies to allow them connect with and grow a readership. Having a good manuscript is still the baseline condition, mind you. But on top of that, a potential new publishee will be asked if they have a blog on which they post frequently, are on Facebook and Twitter, and have skills and experience in appearing friendly, personable and accessible. As one publisher said, “They need to be stand-up comedians.”


for more, click here.

Talkwrite blog: One Day Moko

(crossposted from The Big Idea)

* * *

As a writer, I’m intrigued and a little threatened by devised theatre. (What use is a playwright if plays can be made without a script?!) Yes, I’m playing devil’s advocate – I’ve since learnt that writing is actually integral to the process of devising, it’s just that often the writing happens after the story or scene has been found by the actors’ bodies. Following the “if you can’t beat ‘em, join ‘em” philosophy, I recently took part in a couple of devising workshops, which were great fun (if a little painful for those who had to watch me ‘act’).

I met Tim Carlsen and Sophie Roberts at John Bolton’s excellent one-weekend course, run by The Actors Laboratory. By then Tim’s play One Day Moko, which Sophie directs, was well advanced. Tim is a recent Toi Whakaari graduate and met Sophie (also a recent graduate) as she was tutoring the graduate Solo shows. One Day Moko gives the one man show a surprising twist as Tim, embodying a homeless man (and his dog), interacts with other characters via a TV set, which he takes with him on his travels.

(more here)